While numerous artists had combined songcraft and digitally manipulated sound, none made it seem as natural and intuitive as Caribou’s Dan Snaith, who applied an effortless technical mastery to the heart-on-sleeve charm of indie pop. Some records are best heard from start to finish. New instrumentation was folded gracefully into Low’s sparse setup as if the three-piece had been master arrangers the whole time, from the trumpet of “Dinosaur Act” to the strings and samples lurking underneath almost every vocal harmony (still front and center here, as always). Not only was 2019 an incredible year for prog, as we enter yet another decade, we can see what an amazing 20 years it has been for modern progressive rock. And Mizzle lead the most surprisingly knowing series of rap skits since De La had jokes. New instrumentation was folded gracefully into Low’s sparse setup as if the three-piece had been master arrangers the whole time, from the trumpet of “Dinosaur Act” to the strings and samples lurking underneath almost every vocal harmony (still front and center here, as always). , so he was playing with house money. It’s also the Sonic Youth album with something for everyone: the blow-out-your-eardrums noise kids; the folks who sussed the band’s kinship with Neil Young even before they toured together; the musique concrète fans who wished Goodbye 20th Century hadn’t been a one-off. Let’s not tiptoe around the subject: The National are a little boring. 1 is also great, but #2 is the best. Here are the best albums in the genre’s first proper decade. The debut album from the then-Albuquerque-based Shins is bathed in just enough old-timey atmospherics to be entirely immersive, but never comes off as wink-and-nod referential. The resulting album, 1372 Overton Park, was a revelation, and remains one of the best rock albums of the 21st century. Their bow on “We Are Your Friends” barely hinted at the glitchy abrasiveness Justice would bring to †, though “Phantom” and “Waters of Nazareth” were a stronger hint of their true M.O. How far can we go together? –Amanda Petrusich, ’s propulsive, clean-lined jams skirted outright classic rock for maybe the first time in Sonic Youth’s career, but it wouldn’t be an SY album without the foursome reaffirming they could still do truculent and spaced-out with the best. Edited By: Lew, Rob. Which only goes further in illustrating its singularity—you know how sports fans argue about the kind of player they’d create when they’re playing “Madden”? It helped that singer Alex Kapranos understood that just because the lyrics should serve the song, that’s no reason to slack on the wit, which subversively lies in wait once you get past the near-blinding surface sheen of what is in essence a band-sized rhythm section. Cam’s absurdist wit and impressive ability to coil syllables together are at their height. Here are the best rap albums of the 2000s. The best Hip Hop albums of the 2000s - this is a list with our top 150 Hip Hop albums albums of the 2000s. Dub. –Matt LeMay, The album that launched a thousand rap blogs. Only albums released between Jan. 2000 and Dec. 2009, Whatever People Say I Am, That's What I'm Not. The same goes for the music, though you might not notice it at first: the small, acoustic ensemble, often room-miked and recorded live, conveys an intimacy and immediacy that’s unusual for pop music. A short-lived move to Paris, where she found that “trying to be cool is too exhausting,” spelled out the precariousness of her position, caught between cozy underground and iPod commercial ubiquity. And Mizzle lead the most surprisingly knowing series of rap skits since De La had jokes. –Rob Mitchum, The 2003 release of Caribou’s (then Manitoba’s), served as an unofficial death knell for the “indietronica” marketing ploy of the early-to-mid-’00s. All to say. : You take a look at that iconic album cover and see a Toys “R” Us. –Amy Granzin, After an eight-year career with only the slightest experimentation on their signature sound, Things We Lost in the Fire may be the quietest quantum leap forward in any band’s catalog. –Matthew Solarski, Listen: LCD Soundsystem: “Daft Punk Is Playing at My House”, Just about every review of Feist’s The Reminder felt compelled to mention her indie rock bona fides and her newfound soccer-mom appeal. Despite its polarizing nature then, deathcore was a defining force of the 2000s metal scene. The album only strains to be clever in its compositions, but never arch in its delivery; in fact, when the microphone distorts on tracks like “Stove by a Whale” or “You Could Die (Or This Might End),” it sounds less like a calculated studio affectation and more like the force of Leo’s voice tearing speaker cones. Ergo: extraordinarily useful when you find yourself falling apart. Lists that rank the best musical records to ever hit our ears. Misfits have run popular music for decades—cast out from modern life, forced to seek refuge in the self. –Rob Mitchum, The 2003 release of Caribou’s (then Manitoba’s) Up in Flames served as an unofficial death knell for the “indietronica” marketing ploy of the early-to-mid-’00s. While those peers were wearing their influences a little too snugly on their sleeves, Murphy was expertly synthesizing his and then laundry-listing them off en masse for kicks. Sometimes competent has gotta trump brilliant. Criteria: These Rock Albums of the 2000s were chosen for their Popularity, Influence, and Musical Impact. Resale. The result is an album of halves—the first a loose Tom Verlaine/Jerry Garcia shredfest where each snaking, entwining note seems to sparkle; the second a fearsomely compressed and funny brand of cartoon no wave, with bonus dream-pop outro. to Four Tet, Kanye West to Joanna Newsom—and the many sides of Radiohead, too—here are the albums who defined the decade Eminem observes a fan murder his pregnant wife as an ode to his favorite rapper, and later screams himself into mortal shock before slaughtering his own wife (again). Of course it helps that Michael Mayer’s selection sounded timeless to begin with. The 100 Best Albums of the 2000s. Incidental birdsong and the sound of fingers sliding on steel strings conjure an unmistakable sense of presence, one that only makes the album’s essential sense of loss all the more palpable. T.I. While numerous artists had combined songcraft and digitally manipulated sound, none made it seem as natural and intuitive as Caribou’s Dan Snaith, who applied an effortless technical mastery to the heart-on-sleeve charm of indie pop. Purple Haze is simultaneously a refined, perfectly A&R-ed follow-up and one of the most confusing, crude full-lengths ever. RA Poll: Top 100 albums of the '00s. But Caesar and meth-heads probably don’t listen to simple four-chord folk, and short stories probably don’t save lives as often as self-help books. Yet they’re boring in all of the right dependable, everyman ways—the ways parties and friends and lagers are boring. Published November 19, 2020 – By JazzTimes. Rate 5 stars Rate 4 stars Rate 3 stars Rate 2 stars Rate 1 star . Discover. –Sean Fennessey, Listen: Eminem: “The Real Slim Shady”, With a wickedly audacious way around different sounds (psych-rock, funk, hip-hop, breakbeat), the Beta Band not only made music that worked but seemed sublime. That something vital to pop discourse might be lost if full-length albums disappear should give pause as we dive headfirst into the 21st century’s gangly, awkward teenage years. There’s room for debate over how “indie” or “rock” or whatever they are, but our list of the 100 best indie rock albums of the ’00s nonetheless comprises some of the greatest sounds to come out of a thrilling, if broad and intangible, movement. began rolling out Piracy Funds Terrorism, a pre-Arular opus not only capable of completely slaying clubs, but one that also embodied the Indiana Jones–like spirit of both Hollertonix and Ms. Arulpragasam: travel the world (or Web) in search of beats and textures to set the hip-pop and mash-up format afuckingblaze. Ad Choices. 100 Best Albums of the 2000s by Rolling Stone show list info. But if it’s all a piss-take, then this album doesn’t matter nearly as much. PJ Harvey began her career with four albums of nearly lethal invention and art, quickly establishing herself as a musician worthy of obsession. That is, when they weren’t screwing the pooch with confounders like “The Beta Band Rap” or “Monolith.” Fans never had it easy, but, , the Scottish prankster’s most consistently good album, made adoring them easier. Get RA apps. “Down and Out” both justified chipmunk soul entirely and threatened some sort of misogynist victory lap. J-Live is one of the most skillful rappers in the game, and yet he’s stayed underground for his entire career. We have turned the corner on another year and another decade. The album feels almost prescient, then, in its sense of loneliness—cut loose from her Broken Social Scene, Feist sounds set adrift in songs awash in images of oceans, steam, fog, snow, wind, and moonlight. –Joshua Klein, Listen: Franz Ferdinand: “Take Me Out”. Greatest Rock Albums Of The 2000s … Support Sporcle… The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with prior written permission of Condé Nast. The oppressive drone that leads to the acoustic lullaby of “In Metal” ends the record affirming that growth. *** Buy these albums at Turntable Lab Berninger’s lyrics are like a twentysomething survival guide: “Can you carry my drink/ I have everything else”; returning “two armfuls of magazines”; “sometimes you get up and bake a cake or something.” Hell, the lingering sentiment of “Fake Empire”—“Let’s not try to figure out everything at once”—is the single most reassuring thing anyone’s said to me since college ended. If anything, artists doubled down on the format, resulting in a renaissance of long form artistic statements from a wide range of artists. 10. The Best Rock Albums of the 2000s. That’s what, still sounds like—a video game version of a rock group whose only limits are their imaginations, and those things are cranked at 99. –Ian Cohen. was the muse and voicebox he had been searching for all along. He’d already scored his long-predicted commercial smash with 2002’s. –Philip Sherburne, As he gets older, Anthony Gonzalez seems to be getting better at separating riff from reality. But before that same year was out, Diplo and M.I.A. Music Quiz / Pick the Best Albums of the 2000s Random Music or Bands Quiz Can you find the top 25 albums on Rolling Stone's 'Best Albums of the 2000s' list? Fortunately Franz Ferdinand had a secret weapon, namely that its self-titled debut was full of tightly wound and sneakily clever funk-punk numbers perfectly timed to take advantage of the fact that the white kids were dressing sharper and dancing again. Forced Order. Rock Albums 2000s. Rather than evoking any specific bygone era or sound, creates its own nostalgia. And, somehow, we root for him. PJ Harvey ‎– Stories From The City, Stories From The Sea. Inspired by the films of John Hughes and set amidst swaths of Cocteau Twins–esque synths and reverb, Saturdays proffers idyllic archetypes like “Kim and Jessie” and the self-absorbed, semi-suicidal 15-year-old “Graveyard Girl.” That is, Gonzalez’s synth-soaked production, slick and polished, places his conceit in the ’80s of his own adolescence, but his subjects’ angst is immortal, accessible to the listener no matter which decade they call home. –Jess Harvell. The Movie Soundtrack, with a total of 1,320,357 to the end of 2009. List RulesOnly albums released between Jan. 2000 and Dec. 2009. All to say The Sunset Tree, Darnielle’s first to talk about his own adolescence in an abusive household, was also the first to address his audience—the first where a fan could say, “that is my life and hearing someone sing about it makes me feel better” without having to imagine they were someone else. ... J-Live – The Best Part (2001). If not all the tracks were on par with “Take Me Out,” many came pretty damn close, and did so with a disarming confidence and ease at odds with the careerist unctuousness of too many would-be stars. But the broken-antenna fitfulness of “Newjack,” the disco glitz of “Phantom Pt. That they’d only hinted at it before makes the album all the more stunning; they were suddenly willing to experiment at any turn, but never added a detail that made the song anything less than immaculate. Call this a personal project for a relentlessly distant artist; an asshole’s lament. This is a list of the best-selling albums of the 21st century, based on IFPI certification and Nielsen SoundScan sales tracking. The legions of pitiful imitators Give Up spawned have proven just how difficult the Postal Service’s alchemy is to replicate, and nothing Gibbard or Tamborello have done since has equaled its dizzy highs, despite Death Cab for Cutie’s platinum-selling, chart-topping successes. John Darnielle’s back catalog of simple four-chord folk—about the redemption of everyone from Caesar to meth-heads—is a heartbreaking display of empathy. Feb 05, 2018. Previous records Dead Cities, Red Seas & Lost Ghosts and Before the Dawn Heals Us offered impressive stabs of impressionistic and post-apocalyptic color, sometimes less song than emotive idea or pop culture touchstone. –Mike Powell, Listen: The Mountain Goats: “This Year”, A major label bow from a more or less no-one band with an attendant out of nowhere hit single that will likely never be bested does not always bode well for a long and fruitful career. Previous records. to Four Tet, Kanye West to Joanna Newsom—and the many sides of Radiohead, too—here are the albums who defined the decade Pitchfork After an eight-year career with only the slightest experimentation on their signature sound, may be the quietest quantum leap forward in any band’s catalog. And it’s Mayer’s appeals to the “corny” emotions of his listeners that keeps them coming back when the luster’s worn away from the beat experiments of his sleeker, more fashion-conscious peers. Whether he understood his own pain better than the pain of others, I’m not sure, but it does sound like he felt it more. The legions of pitiful imitators, spawned have proven just how difficult the Postal Service’s alchemy is to replicate, and nothing Gibbard or Tamborello have done since has equaled its dizzy highs, despite Death Cab for Cutie’s platinum-selling, chart-topping successes. But, really, few rappers have. Are YOUR favorites included? By Complex. From blues to metal, prog to shred, here's what you voted your favorite records of 2010 to 2019 (Image credit: Francesco Prandoni/Getty Images) What makes a great guitar album isn’t a whole lot different to what makes a great album. “Get Em Girls” made opera safe for trunks. There’s some sonic variety, but lead “Squares”—a masterpiece of minimal trip-pop whose strange geometries corset Steve Mason’s wounded drone to heartbreaking effect—is pretty representative of the album’s emotional pitch. Let’s appreciate the album for what it is: An exquisite time capsule that probably can’t—and probably shouldn’t—be duplicated. The Kompakt label’s next great calling card following 2001’s Total 3 compilation, Immer is as moody and windswept as the Mahler sample that crops up near the end, its beat-less strings sounding not a bit out of place amidst melancholy tech-house. The criteria are that the album must have been published (including self-publishing by the artist), and the album must have shipped at least 10 million units starting from January 1, 2001.Units sold include physical copies and digital downloads Mirrored’s got plenty of “how’d they pull that off?” moments, but the most impressive technical accomplishment was how it came off like a college caper movie in the vein of PCU, a bunch of highly intelligent wiseacres knocking down ivory towers and teaching the stuffed-shirted deans of math-rock and prog how to have some damn fun, conveying humor, groove, and even a little bit of a sex appeal without a single discernible word of English. RA Scanner. Resident Advisor. Hooks lifted from Clipse and Ciara and the Bangles and oh holy crap, “Big Pimpin.” No matter how disparate the origin, no matter how dusty the crate, Diplo was able to make M.I.A.’s vocals sting. Here are 10 of our favorite alternative albums from the 2000s that have no skippable tracks. –Jason Crock, Ted Leo and the Pharmacists: “Biomusicology”, With a wickedly audacious way around different sounds (psych-rock, funk, hip-hop, breakbeat), the Beta Band not only made music that worked but seemed sublime. Formed in between Pharmacists lineups and aided by numerous friends in the studio, sounds cobbled together by the pieces of a lifetime’s listening while still remarkably cohesive and whole. About. –David Bevan, John Darnielle’s back catalog of simple four-chord folk—about the redemption of everyone from Caesar to meth-heads—is a heartbreaking display of empathy. –Amy Phillips, Listen: The Postal Service: “Such Great Heights”, When Danger Mouse’s The Grey Album began percolating in early 2004, its mashed grapes were more punch line than reason to sweat. The album feels almost prescient, then, in its sense of loneliness—cut loose from her Broken Social Scene, Feist sounds set adrift in songs awash in images of oceans, steam, fog, snow, wind, and moonlight. Marshall Mathers fits the bill, but somehow he scared us more. He’d already scored his long-predicted commercial smash with 2002’s Come Home With Me, so he was playing with house money. Everything is a record jammed with foreboding (“The Funeral” opens with the terrifying promise “I’m coming up only/ To hold you under,” before moving on to its dark-anthem chorus of “At every occasion, I’ll be ready for the funeral”), but each grim couplet is balanced by a moment of cathartic release (usually facilitated by a reverb-soaked guitar). While those peers were wearing their influences a little too snugly on their sleeves, Murphy was expertly synthesizing his and then laundry-listing them off, for kicks. “Minimal” is one thing Immer is not. Your California Privacy Rights. 's middle finger to Arista, which dropped him after his first outing, the consciously unprofessional I'm Serious, tanked. By / 3 November 2020 A countdown of the best rap albums of the 2000s. Vol. Formed in between Pharmacists lineups and aided by numerous friends in the studio, Tryanny of Distance sounds cobbled together by the pieces of a lifetime’s listening while still remarkably cohesive and whole. This list contains the best 00s albums from all genres, from hip hop to pop to indie rock to metal. But before that same year was out, Diplo and M.I.A. or batshit-crazy self-titled joint, the band’s sophomore LP eschews the busier basslines, beats, and samples for a spare set of taut folktronica. Cam hasn’t been this good in years. Are you a promoter? Chicago 85 captured the soul of Chi-Town, with Hollister’s smokey vocals painting a portrait of love and life in the city. It’s only fitting that such a record would emerge from an era in which a computer is as familiar and logical a means of expression as an acoustic guitar. 2 (2005). Baile funk. –Matt LeMay, Here’s how you know you’ll be into Mirrored: You take a look at that iconic album cover and see a really jammin’ practice space. List of the best albums of the 2000s decade, voted on and ranked by fans and critics. What a sick joke. Unlike the scattershot-brilliant. That is, when they weren’t screwing the pooch with confounders like “The Beta Band Rap” or “Monolith.” Fans never had it easy, but Hot Shots II, the Scottish prankster’s most consistently good album, made adoring them easier. –David Bevan. “Down and Out” both justified chipmunk soul entirely and threatened some sort of misogynist victory lap. The familiar tension and tenderness suddenly had an ocean of depth behind every tentative snare tap and guitar strum. Sometimes competent has gotta trump brilliant. Published. –Jason Crock, Listen: Ted Leo and the Pharmacists: “Biomusicology”, Can a monster be a hero? Dave Hollister is one of R&B’s most underappreciated voices, so it’s no shock that one of the best albums of the ’00s probably flew right under your radar. Cryptic mini-narratives of love and loss give way to the sense of a longing that can’t find its way into words—“The way home/ And it’s not about a boy/ Although, although”—while lyrics pile up, bleeding through from song to song, accruing a meaning you can’t quite put your finger on. Snaith manipulated muscular drum loops and digitally fragmented vocals with an ease and homespun charm that would make a lo-fi troubadour blush, and his songwriting chops were just as strong as his production ones—and it’s the unique interplay of the two that makes, so remarkable. Today, I gave myself the task of listing the 30 best albums from the decade. Ergo: extraordinarily useful when you find yourself falling apart. Or some who will wear a Thin Lizzy jacket on the sleeve but writes songs as graceful and approachable as “Biomusicology” or “Under the Hedge”? Cryptic mini-narratives of love and loss give way to the sense of a longing that can’t find its way into words—“The way home/ And it’s not about a boy/ Although, although”—while lyrics pile up, bleeding through from song to song, accruing a meaning you can’t quite put your finger on. , conveying humor, groove, and even a little bit of a sex appeal without a single discernible word of English. Language English. Jobs. But tracks like “Such Great Heights” and “Clark Gable” teeter just barely on the right side of a thin line between sappy and sublime—why tempt fate with another tightrope walk? Despite the rising popularity of song singles and accessibility through iTunes and other mp3 formats, the titles listed prove that the in the 00s, the album was as strong and creative as ever. This list includes the greatest albums released between January 2000 and December 2009. List of the best albums of the 2000s decade, voted on and ranked by fans and critics. –Sean Fennessey, Just as his post-millennial post-punk-exhuming peers were getting disposable, James Murphy went quotable, unleashing a reality check of a debut record that delivered on all the promise of his singles—which, B-sides and all, came conveniently bundled on this record’s second disc. #25. Trap Muzik supplemented the grimy sound of T.I. What better way to celebrate the 50th anniversary of a music magazine than by making a top-50 list? Get in touch with us here. Yet they’re boring in all of the right dependable, everyman ways—the ways parties and friends and lagers are boring. –Matt LeMay, The album that launched a thousand rap blogs. By Jonathan Horsley 19 December 2019. Vote for your favorites to move them up the list, or press "rerank" to create your own personalized order that will impact this ultimate list. “Get Em Girls” made opera safe for trunks. Although the band occasionally gets tangled up in critical comparisons—Bridwell’s high, yawning vocals evoke Neil Young and My Morning Jacket’s Jim James—Everything All the Time is unique in its dissonance and beauty. Give Up is mid-decade indie pop flawlessly preserved in amber, Ben Gibbard and Jimmy Tamborello guiding the courtship between emo and IDM towards a new kind of shy, introspective new wave. This was indie populism for a new century and a savvier populace, where the wit of the dude pointing fingers from the sidelines and the heart of the dude wilding out right in the middle of it converged to become, well, the “fat guy in a t-shirt doing all the singing.” Yay for him.